The Castle of Good Hope (Dutch: Kasteel de Goede Hoop; Afrikaans: Kasteel die Goeie Hoop)[1] is a bastion fort built in the 17th century in Cape Town, South Africa. Originally located on the coastline of Table Bay, following land reclamation the fort is now located inland.[2][self-published source?][3] In 1936 the Castle was declared a historical monument (now a provincial heritage site) and following restorations in the 1980s it is considered the best preserved example of a Dutch East India Company fort.[4]
During 1664, tensions between Great Britain and the Netherlands rose amid rumours of war. That same year, Commander Zacharias Wagenaer, successor to Jan van Riebeeck, was instructed by Commissioner Isbrand Goske to build a pentagonal fortress out of stone. The first stone was laid on 2 January 1666.[6][self-published source?] The fortress was partially built by slave labour. The VOC was unsure about the size of the local population groups and thus feared a revolt if they enslaved them; instead they brought in up to 60,000 enslaved people from Madagascar, Mozambique, the Dutch-Indies, and India.[7] Work was interrupted frequently because the Dutch East India Company was reluctant to spend money on the project. On 26 April 1679, the five bastions were named after the main titles of William III of Orange-Nassau: Leerdam to the west, with Buuren, Katzenellenbogen, Nassau, and Oranje clockwise from it.[5][page needed] The names of these bastions have been used as street names in suburbs in various provinces, but primarily of Cape Town, such as Stellenberg, Bellville.
Sketch of Castle of Good Hope in 1680
In 1682 the gated entry replaced the old entrance, which had faced the sea. A bell tower, situated over the main entrance, was built in 1684—the original bell, the oldest in South Africa, was cast in Amsterdam in 1697 by the East-FrisianbellmakerClaude Fremy, and weighs just over 300 kilograms (660 lb). It was used to announce the time, as well as warning citizens in case of danger, since it could be heard 10 kilometres away. It was also rung to summon residents and soldiers when important announcements needed to be made.[8]
The French author François-Timoléon de Choisy was part of a party who resupplied at the fort in June 1685 on their way to Siam, and described the building thus:
"The fortress is very attractive. The dwellings consist of houses mostly covered in thatch, but so clean and so white that you know they are Dutch. There is a garden which the Company has laid out; I would love it to be in a corner at Versailles. As far as the eye can see there are walks of orange and lemon trees, vegetable gardens, espaliers, and dwarf trees, the whole interspersed with fresh-water springs...".[9]
During his stay, de Choisy met with the Dutch Commissioner-General and a French chevalier named de Saint-Martin, whilst other members of the party hunted locally for "partridges, roe deer and turtledoves". The Commissioner-General added small suckling pigs and wine from the Canary Islands to their rations, indicative of the stock they kept.[10] de Choisy noted that at the time, more than 25 of the Dutch East India Company ships were stopping annually at the Cape to take on provisions of sheep, wine, fruit and vegetables.[10]
The fortress housed a church, bakery, various workshops, living quarters, shops, and cells, among other facilities. The yellow paint on the walls was originally chosen because it lessened the effect of heat and the sun. A wall, built to protect citizens in case of an attack, divides the inner courtyard, which also houses the De Kat Balcony,[note 1][self-published source?] which was designed by Louis Michel Thibault with reliefs and sculptures by Anton Anreith. The original was built in 1695, but rebuilt in its current form between 1786 and 1790. From the balcony, announcements were made to soldiers, slaves and burghers of the Cape. The balcony leads to the William Fehr collection of paintings and antique furniture.[6][self-published source?] It was briefly home to Lady Anne Barnard, after whom one of the Castle function rooms is named.
During the Second Boer War (1899–1902), part of the castle was used as a prison, and the former cells remain to this day. Fritz Joubert Duquesne, later known as the man who killed Kitchener and the leader of the Duquesne Spy Ring, was one of its more well-known residents. The walls of the castle were extremely thick, but night after night, Duquesne dug away the cement around the stones with an iron spoon. He nearly escaped one night, but a large stone slipped and pinned him in his tunnel. The next morning, a guard found him unconscious but alive.[12]
In 1936, the Castle was declared an historical monument (from 1969 known as a national monument and since 1 April 2000 a provincial heritage site), the first site in South Africa to be so protected.[13] Extensive restorations were completed during the 1980s making the Castle the best preserved example of a Dutch East India Company fort.[4]
The Cape Heritage Museum, located within the historic Castle of Good Hope in South Africa, is curated by Mr. Igshaan Higgins. This museum provides an inclusive narrative of South Africa's history, highlighting the interactions among different communities such as the Khoi, San, and Dutch, through various epochs including colonialism and apartheid. It aims to offer a balanced reflection on the nation's diverse heritage and complex past. [14][15]
Symbolism
Prior to being replaced in 2003, the distinctive shape of the pentagonal castle was used on South African Defence Force flags, formed the basis of some rank insignia of major and above, and was used on South African Air Force aircraft.
^"Kat" is a Dutch term for a transverse wall built for fortification purposes. It dates from Roman times when it also meant a seat of authority or place of command on a battlefield.[11]
^Explorer, Museum (20 February 2023). "Cape Heritage Museum". Museum Explorer SA. Retrieved 12 March 2024.
Sources
de Choisy, Abbé (1993). Journal of a Voyage to Siam: 1685-1686 (Translated and Introduced by Michael Smithies). Kuala Lumpur: Oxford University Press. ISBN967-65-3026-3.
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