While the album was in part a tribute to Elvis Presley, it was mainly a commemoration of those young performing hopefuls, the four album participants, who — as had Presley — all began their careers with Sun Records in the 1950s. Recorded at Sam Phillips'Sun Studios and completed at American Sound Studios, the album was documented by Dick Clark Productions, which filmed it from start to finish; by The Commercial Appeal, the Mid-South's largest circulation newspaper; and by Nine-O-One Network Magazine, the first edition of which was sold with the album in a telemarketing package.[3]
Producer Chips Moman encountered a major issue following the recording sessions, as Cash was still under contract to Columbia Records at the time and proper permissions had not been obtained. Faced with the possibility of having to remove Cash's voice from the recordings, Moman paid Columbia $100,000 for the rights to keep Cash on the record.[5] At this time, the America/Smash label was affiliated with PolyGram, which in turn also owned Mercury Records to which Cash would sign shortly after recording Class of '55.
The recorded "Interviews from the Class of '55 Recording Sessions," written and produced by Rose Clayton, earned the 1986 Grammy Award for Best Spoken Word Album for the four performers, plus for producer Chips Moman, Sam Phillips and Ricky Nelson. For Nelson, it was his last recording session and only Grammy Award of his career.
A music video from Perkins' "Birth of Rock and Roll," starring Perkins, Lewis, and Ron Wood of The Rolling Stones, promoted the "Class Of '55."
Dick Clark hosted a TV special with footage of the studio sessions aired on TBS in 1989.[6]
After being out of print for decades, the album was re-released separately and as part of the Cash box set “The Complete Mercury Recordings: 1986-1991.”[7]
Reception
Steve Huey of AllMusic said it "include renditions of Perkins' "Birth of Rock and Roll," "Sixteen Candles," Waylon Jennings' "Waymore's Blues," Cash's "I Will Rock and Roll With You," and John Fogerty's "Big Train (From Memphis)."[1]
Billboard selected the album for a "Country Spotlight" review, and stated that "The songs effectively blend standards with worshipful derivatives"[8]