David Toop (born 5 May 1949)[1] is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of the Flying Lizards.
In 1974 Toop edited and co-published the book, New/Rediscovered Musical Instruments, featuring the work of Max Eastley, Hugh Davies, Evan Parker, Paul Lytton, Paul Burwell and himself. He was a founder member of the London Musicians Collective, Musics magazine and Collusion magazine, and in 1977 founded his record label, Quartz Publications. He published a book on hip hop, Rap Attack, in 1984.[2] Eleven years later, Ocean of Sound was published, described as Toop's "poetic survey of contemporary musical life from Debussy through Ambient, Techno, and drum 'n' bass."[3] Subsequent books include Exotica, a winner of the American Book Awards in 2000, Sinister Resonance (2010),[4] and Into the Maelstrom,[5] his survey of free improvisation shortlisted for the Penderyn Music Book prize in 2017.
He was a regular contributor to British music magazine The Wire and the British magazine The Face.
In 2000, Toop curated the sound art exhibition Sonic Boom, and the following year, he curated a 2-CD collection entitled Not Necessarily English Music: A Collection of Experimental Music from Great Britain, 1960–1977. More experimentally, Toop has also actively engaged with 'sounding objects' from a range of museums.[7] His opera Star-shaped Biscuit was performed as a Faster Than Sound Project at Aldeburgh in 2012.[8]