The Steeples Studios, Ramelton, Ireland Additional recordings: by Manus Lunny at Stiúidió na Mara, An Bhráid, Tír Chonaill, Na Rosa (The Rosses), County Donegal, Ireland by Alwyn Walker at Westlands Studios, Dublin, Ireland & by John Walker at The Villa, Savage, Minnesota, USA
Gleann Nimhe – The Poison Glen is the eleventh studio album by Irish folk music group Altan and their tenth studio album of original material, released in late February / early March 2012 on the Compass Records label.[8]
Background
This is the first studio album of original material to be released by Altan in since the release of Local Ground on 1 March 2005.
Title
Gleann Nimhe, or the Poisoned Glen, is the Irish name of a glen located near Dún Lúiche, in County Donegal in Ireland. In English, Gleann Nimhe means "The Heavenly Glen" or "The Poison Glen" (also written "The Poisoned Glen").[9]
Music
The album features An Ghealóg, a song composed by Martin Tourish who would later join the band replacing Dermot Byrne, temporarily starting from the extensive Fall 2013 (mostly) German tour and permanently since Dermot Byrne's departure from the band in early 2014.
Critical reception
On 22 April 2012, Gleann Nimhe – The Poison Glen received a six-star album review (out of 10) from PopMatters's music critic John L. Murphy, stating: «Shifting somewhat away from its Narada-label leanings of a decade back into New Age-inflected stylings, this Compass Records release offers a more traditional delivery of tunes, reliable in their familiar conjuring of their Northwestern Irish heritage. At its best, this recalls their standout albums originally released in America on the Green Linnet Records label.»[10]
On 16 December 2015, "Beyond Tunes" blog critic Eros Faulk made the tune "Tommy Potts' Slip Jig" one of his three "tracks of the month December 2015" (out of the blog's seven "tracks of the month"), stating: «One of the greatest Donegal groups strikes again with this exceptional track. It’s only one tune, yet they make it quite interesting. The third time through in the second part, Dermot Byrne (accordion) does backup, and it carries into the next time. Then fiddlers Mairéad Ní Mhaonaigh and Ciaran Tourish do a wonderful fiddle harmony/backup before going back to melody and ending this tune, all the way the wonderful accompanists doing amazing backup.»[11]
Track listing
"A Fig for a Kiss/The Turf Cutter" – 2.47 (Slip Jigs)
"Seolta Geala" – 3.59 (Song)
"The Ardara Girls/The Backdoor Highlands/Fáscadh Mo Léine (The Wringing of my Shirt)/Reel in A/Ciarán Tourish's Reel" – 6.05 (Highlands and Reels) (sometimes called "The Ardara Set")
"An Ghealóg" – 4.57 (Song)
"Caitlín Triall" – 3.22 (Song)
"The New Rigged Ship/Eddie Curran's/The Monaghan Twig/Kitty the Hare" – 4.27 (Reels)
"The Blackest Crow" – 4.50 (Song)
"The Lancers Jig/The Further in the Deeper" – 3.11 (Also known as "John Doherty's Jigs"[nb 1])
John Walker recording (The Villa, Savage, Minnesota, United States)
Ciarán Tourish – mixing
Terry McGinty – mastering (Valley Studios, Ballybofey, County Donegal)
Édaín O'Donnell – sleeve design
All tracks traditional, arranged by Altan except:
"The Turf Cutter" – composed by Paddy O'Brien (of Daingean, County Offaly, and Saint Paul, Minnesota, in honor of his late father Christy O'Brien)
"Seolta Geala" (a sea shanty) – translated by Proinsias Ó Maonaigh (Francie Mooney, Mairéad's late father)
"Ciarán Tourish's Reel" – composed by (late Cape Breton fiddler) Jerry Holland and Dougie McDonald
"An Ghealóg" – composed by Martin Tourish
"The Blackest Crow" – melody by (American musician) Pete Sutherland, words traditional
"Tommy Potts' Slip Jig" – composed by Tommy Potts
"The House at the Corner" – composed by Dáithí Sproule
Live performances
Altan played live in concert the following tracks:
"A Fig for a Kiss/The Turf Cutter",
"Seolta Geala",
"The Ardara Set",
"An Ghealóg",
"Caitlín Triall",
"The New Rigged Ship/Eddie Curran's/The Monaghan Twig/Kitty the Hare",
"The Blackest Crow" &
"The Lancers Jig/The Further in the Deeper".
Notes
^As these jigs are from the playing of John Doherty, according to Mairéad Ní Mhaonaigh who introduced this track that way on stage during a concert on 15 May 2012 in Lyon, France.