Jean Alexis Achard (French pronunciation:[ʒɑ̃a.lek.sia.ʃaːʁ]) (17 April 1807 – 2 October 1884) was a French painter.
Biography
Born in Voreppe, Isère, into a farming family, Jean Alexis Achard was self-taught and started his career as a clerk for a lawyer. He began his apprenticeship by copying paintings at the Museum of Grenoble. He then attended the free municipal school of Grenoble, and met the Lyon school painters who gave him his first tutelage. Isidore Dagnan was his teacher from 1824 to 1830. At 27, he moved to Paris and copied the Dutch masters at the Louvre.
He made an expedition organized by the St. Simonians and thus lived in Egypt between 1835 and 1837 with his friend Victor Sappey. He bought landscapes and genre scenes when he came back to France. Thus, he exhibited at the Salon (Paris) in 1838, Vue prise aux environs du Caire, and then regularly thereafter, as in 1843 with Vue de la vallée de Grenoble.
Between 1858 and 1859, he lived in Honfleur and lived in the Saint-Siméon farm, with Eugène Boudin and Claude Monet.[1] He became sick and suffered thru serious financial difficulties, he retired in 1870 in Grenoble, where he died in 1884. He is buried at Saint Roch Cemetery.
Works
Paintings
Achard is known for his paintings of Dauphiné landscapes, which earned him the title of "master of the landscape in Dauphiné".[2] He is the creator of the École dauphinoise, whose notable members were Laurent Guétal, Ernest Victor Hareux, Charles Bertier and a few others.
Several works by Achard are kept at the Museum of Grenoble, including Paysage, vue de Saint-Egrève (près de Grenoble) and La chaumière.[3] His other works can be seen in Paris at the Louvre, the Musée des Beaux-Arts de Chambéry, the Musée du Château de Fontainebleau.[4]
Prints
Achard was also a renowned printmaker, with over sixty etchings. His first prints were created after his paintings (for a large dissemination of his works), and cover major horizons. Thereafter, he focused on more local views of woodlands.
Pupils
Henri Harpignies was his pupil[5] when he was in Paris. But after his comeback in Grenoble, his influence was considerable, especially on Laurent Guétal, Charles Bertier and Édouard Brun, who eagerly followed his advice. He was a teacher and an adviser for the generation of young Dauphiné painters in Proveysieux, including Théodore Ravanat, Jacques Gay, Henri Blanc-Fontaine.
Legacy
Achard was widely represented in his friends and students' works, including :
Victor Sappey (several ink or pencil drawings, Library of Grenoble)
Jean Achard peintures, Museum of Grenoble, 1984-1985
Trois maîtres du paysage dauphinois au XIXe siècle, Jean Achard, Laurent Guétal, Charles Bertier, Museum of Grenoble, 2005-2006
Jean Achard, un paysagiste à l'école de la nature, Musée Hébert de La Tronche, 2008-2009
Bibliography
Jean Achard, Jacques Lamoure et Jacques Antoine Biboud, ACMAD edition
Jean Achard, Laurent Guétal, Charles Bertier : Trois maîtres du paysage dauphinois au XIXe siècle, Musée de Grenoble, Artlys editions (ISBN2-85495-270-7)
Dictionnaire des petits Maitres de la Peinture (1820-1920), Pierre Cabanne and Gerald Schurr, Amateur editions, 2003 (ISBN2-85917-378-1)
Jean Achard, un paysagiste à l'école de la nature, Laurence Huault-Nesme, Glénat, 2008 (ISBN978-2-7234-6671-4)
Le Dauphiné et les peintres, une source d'inspiration, Maurice Wantellet, Le dauphiné libéré editions
Le sentiment de la Montagne, Glénat / Musée de Grenoble, 1998, (ISBN2 7234 2614 9)
References
^Jean Achard, Laurent Guétal, Charles Bertier : Trois maîtres du paysage dauphinois au XIXe siècle, Musée de Grenoble, Artlys editions (ISBN2-85495-270-7)