Concert Overture No. 3 (Konsertouverture Nr. 3), for orchestra (Op. 34, 1944–1945; Movement IV of the Third Symphony—with a new introduction (c. 1946)—published byGehrmans Musikförlag as a stand-alone concert piece)[7][2]
Invocatio, for chorus and orchestra (Op. 21, 1938)[citation needed]
God in Disguise (Förklädd gud), lyrical suite (lyrisksvit) for narrator, soprano, baritone, chorus, and orchestra to a poem by Hjalmar Gullberg (Op. 24, 1940)[f]
Prelude (Förspel): Andante tranquillo
Allegro moderato
Agitato
Alla marcia
Andantino quasi allegretto
Andante—Andante molto tranquillo
Watchman's Songs (Väktarsånger), for baritone, male chorus, and orchestra (Op. 25, 1940); text by Karl Ragnar Gierow[1]
Voices from Skansen (Röster från Skansen), lyric suite for narrator, baritone, chorus, and orchestra (Op. 26, 1941)[citation needed]
The Red Cross (Det röda korset), cantata for narrator, baritone, chorus, and orchestra (Op. 30, 1944)
The Sundial and the Urn (Soluret och urnan), cantata for baritone, mixed chorus, and orchestra (Op. 53, 1966); text by Karl Ragnar Gierow
Other orchestral
Concert Overture No. 1 (Konsertouverture Nr. 1), for orchestra (Op. 4, 1929)
A Winter's Tale (En vintersaga), four vignettes for orchestra after Shakespeare [excerpted from the lyrical suite by the same name] (Op. 18, 1937–1938)
Pastoral Suite (Pastoralsvit), suite for orchestra excerpted from The Hours of Day (Op. 19, 1937–1938)
Overture (Uvertyr): Adagio—Allegro
Romance (Romans): Adagio
Scherzo: Vivice
The Earth Sings (Jorden sjunger), for narrator and orchestra (Op. 23, 1940)[citation needed]
Festmusik, for orchestra (Op. 22, 1939)
The Earth Sings (Jorden sjunger), for narrator and orchestra (Op. 23, 1940)[citation needed]
The Swedish Nation (Det svenska landet), lyrical suite for chamber orchestra (Op. 27, 1941)[2]
Note: Folk-song Night (Folkvisenatt), for string orchestra is from this suite)
Gustavian Suite (Gustaviansk svit), for flute, harpsichord, and string orchestra (Op. 28, 1944); excerpted from the film score to The Royal Hunt (Kungajakt)
Entrada
Pastorale
Andante grazioso
Arietta
Festivo
Two Pieces, for orchestra (Op. 32, 1944)
?
?
Music for Orchestra (Musik för orkester) (Op. 40, 1949)
Andante teneramente—Tranquillo—Allegro molto
Andante elegiaco
Allegro
Adagio, for string orchestra (Op. 48, 1960)
Three Orchestral Pieces (Tre Orkesterstyken) (Op. 49, 1960)
Adagio
Presto
Adagio
Variations for Orchestra (Orkestervariationer) (Op. 50, 1962)
Lyric Fantasy (Lyrisk fantasi), for little orchestra (Op. 54, 1967)
Due auguri, for orchestra (Op. 62, 1971; published byGehrmans Musikförlag)[g]
Omaggio conservatorio
Ricamo all'Accademia
Barococo (Råå-rokoko), suite for orchestra (Op. 64, 1973)
Intimate Miniatures (Intima miniatyrer), suite for string quartet excerpted from Late Autumn Leaves (Op. 20, 1938; published byGehrmans Musikförlag)[25]
Piano Sonatina No. 2 (Op. 39, 1946–1947; published byGehrmans Musikförlag)[30]
Allegro
Andante
Allegro
Piano Sonatina No. 3 (Op. 41, 1950; published byGehrmans Musikförlag)[31]
Allegro
Andante
Allegro
Twelve Little Piano Pieces (Tolv små pianostycken; (Op. 47, 1960) published byGehrmans Musikförlag)
Easy Pieces (Lätta spelstycken) (Op. 56, 1969; published byGehrmans Musikförlag)
Five Piano Pieces (Fem pianostycken) (Op. 57, 1969; published byGehrmans Musikförlag)
Humoresque (Humoresk)
Barcarole (Barkarol)
Burlesque (Burlesk)
Valse-Caprice
Perpetuum mobile
Seven Little Fugues with Preludes in the Old Style (Sju små fugor med preludier i gammal stil) (Op. 58, 1969; published byGehrmans Musikförlag)[32]
To do
1944 Op. 29, Four songs
1945 Op. 33, Two songs
1946 Op. 35, Nine Gullberg Songs
1954 Op. 43, Missa Brevis, for mixed chorus
1964 Op. 51, Intrada Solemnis, for trumpets, trombones, double choir, boys choir and organ
1964 Op. 52, Eight songs
1969 Op. 59, Tre Citat, for choir
Notes, references, and sources
Notes
^No studio recording has been made of the Symphonic Sketch (Op. 5). However, based on an archival recording from Swedish Radio, it appears to be a short piece, about 6 minutes in duration, that is scored for orchestra.
^In the 1980s, Larsson "simplified" the Saxophone Concerto to make it "more accessible" for soloists who lacked the "special effects" of the piece's dedicatee, the "pioneering saxophone virtuoso" Sigurd Raschèr.[8]
^Details about the Cello Concerto—in particular the tempo markings for its three movements—come from a WorldCat record of the score: OCLC52639647.
^Although the publisher, Gehrmans Musikförlag, lists the third movement of the Violin Concerto as "Allegro molto", the liner notes to Sony Classical's recording of the work denotes it as "Lento".[11] The manuscript that the publisher provides on its website has the movement as "Lento" (p. 76 of the score), which later transitions into "Allegro molto" (p. 80).
^Larsson's objective for the series was to provide Sweden's state-sponsored amateur orchestras (which, from 1945 to 1947, he had been appointed to inspect) with a modern but technically-feasible repertoire.[12]
^Along with Gullberg, Larsson developed a genre of popular entertainment called the "lyrical suite", which alternated recited poetry with musical interludes. Four of the 10 numbers that comprise God in Disguise are recitations of Gullberg's narrative poem; these verses are not included here in the above list, which details the musical movements only.
^Details about Due auguri—in particular the tempo markings for its two movements—come from a WorldCat record of the score: OCLC17599824.
^Details about the Two Humoresques—in particular the tempo markings for its two movements—come from a WorldCat record of the score: OCLC301893327.