Mori Ranmaru (森 蘭丸, 1565 – June 21, 1582), also known as Mori Naritoshi[1] (森 成利), was the son of Mori Yoshinari, and had 5 brothers in total, from the province of Mino. He was a member of the Mori Clan, descendants of the Seiwa Genji.
Biography
From an early age, Ranmaru was a retainer to Oda Nobunaga. Recognized for his talent and loyalty, he was appointed to a responsible post. At Ōmi, he was given 500 koku, and after Takeda Katsuyori's death, he was awarded the 50,000 koku at Iwamura Castle.
Ranmaru and his younger brothers defended Oda Nobunaga during the Honnō-ji Incident and allowed him to commit seppuku. Ranmaru and the rest of his retainers ignited the temple in which they had barricaded themselves. The fire killed everyone inside and burned the body of Oda, therefore preventing its capture.
In nanshoku literature of the Edo period, it was commonly depicted that Oda and Mori had a sexual relationship that was commonly found in those times.[2]
Ranmaru has often been the subject of works of art since the Edo period, and continues to be seen in various forms of modern fictional media today. Due to admiration for his loyalty, Ranmaru has been depicted as a loyal page of Nobunaga in various works of classical Japanese art. Such works include ukiyo-e prints by artists such as Kuniyoshi, Yoshitoshi, and Toshihide. He has also been a character in kabuki plays such as Tsuruya Namboku IV'sToki-ha Ima Kikyô no Hataage.[3]
There is a character in The Wallflower known as Ranmaru Mori, as well as a character in Pokémon Conquest going by the name of Ranmaru, with his partner Pokémon being Lucario, who serves under Nobunaga's command. There is also a boss in Maplestory sharing the same name. Ranmaru also appears as a minor character in the anime Mirage of Blaze based on the novel series of the name.
See also
Media related to Mori Ranmaru at Wikimedia Commons
Notes
^Ota Gyuichi. The Chronicle of Lord Nobunaga. Brill Academic Press (2011). ISBN9004201629 Page 311
^"Personalities such as Oda Nobunaga's boy lover Mori Ranmaru were widely known throughout the Edo period." Timon Screech, Sex and the floating world: erotic images in Japan, 1700-1820 - Page 84