Over the Edge is a 1979 American coming-of-age film directed by Jonathan Kaplan and released in May 1979. The film, based on actual events, had a limited theatrical release but has since achieved cult film status. It was Matt Dillon's film debut.
Plot
In Colorado's planned community of New Granada, Carl, Richie, and Claude hang out at "The Rec", an adult-supervised venue where teenagers can socialize. One afternoon, as The Rec closes, Carl and Richie are confronted by Police Sergeant Doberman, who suspects they perpetrated a freeway sniping incident. After questioning at the station, they are both released to their parents. The next day, Carl meets and befriends Cory, a new arrival, who expresses mild rejection at the idea they date. ("I don't go out on dates," she says.) That evening, after learning from his father of the community's plans to nix construction of an amusement center, he walks to a local park, where he hooks up with Richie. Together, they relocate to a nearby house party. But when police arrive to squelch the fun, Carl walks home alone and is assaulted by Mark, the real instigator of the freeway sniping.
Meantime, attempts by Carl's father to entice out-of-town investors to New Grenada are thwarted by Carl, who booby-traps their car. Later, Carl and Ritchie accompany Cory and other kids on a picnic. They take along a pistol, which Cory stole during a break-in. For fun, they alternate shooting tin cans until they run out of ammo. Claude, recently arrested for possession of hash, explains that the local neighborhood pusher, a fellow student named Tip, sold it to him. But when Cory reveals Tip's recent coincidental arrest, the kids pay him a visit. Under interrogation, Tip confesses he told Doberman about giving Claude hash. Richie, Carl, and Claude dump him into a pond as Tip's mother watches in horror from a nearby tennis court. Her descriptions of Carl and the others leads to panic. Richie steals his mother's car, and he and Carl flee. It all ends tragically as Doberman chases them down. Richie produces a gun and aims it at Doberman, who fires in self-defense. Richie dies.
The next day, Carl sneaks home and overhears his mother on the phone discussing a community meeting at the school that night. Carl sneaks back out to notify his friends. They decide to confront the parents there. But when police show up, locking their weapons inside their cars, the meeting turns into a nightmare. The kids chain the school's doors, light fireworks, and proceed to trash the parking lot. Then they break into patrol cars, pull out police shotguns, and blow up several vehicles, igniting fires all around. When reserve police finally arrive, the kids disperse. Doberman apprehends Carl, but Mark, the freeway sniper, shoots Doberman's car, causing it to crash and catch fire. Carl pulls himself free, leaving the unconscious Doberman inside the car. He perishes in a massive explosion. When next seen, Carl and others are being herded onto a school bus and driven away. From atop an overpass, Cory and Claude wave goodbye to Carl, as the bus makes its way to a juvenile detention facility.
The film was inspired by events described in a 1973 San Francisco Examiner article entitled "Mousepacks: Kids on a Crime Spree" by Bruce Koon and James A. Finefrock, which reported on young kids vandalizing property in Foster City, California.[2] The middle class planned community had an unusually high level of juvenile crime.[2][3] Screenwriters Charles S. Haas and Tim Hunter began work shortly after the article's publication, including field research in the town itself where they interviewed some of the kids.[1] Hunter said that the script accurately reflected the article with the exception of a more violent ending.
Orion Pictures helped finance the film; producer George Litto borrowed an additional $1 million. Director Jonathan Kaplan, who was just 30 when hired, took a documentary approach to filming and hired unknown actors. Among them was Matt Dillon, then age 14, whom the filmmakers discovered in a middle school in Westchester County, New York. This was Dillon's feature film debut.[4] Shooting took place over 20 days in 1978 in the Colorado cities of Aurora and Greeley.[2]
Filming Locations
The filming took place in Aurora, Colorado and Greeley, Colorado. John Evans Junior High school was used as New Granada School and was razed in 2015. The east side of John Evans School, Cafetorium, metal shop parking lot, athletics storage building (not in picture), library and science classrooms were featured in the film. New Granada scenes were filmed around the Colorado city of Aurora, Colorado, as well as the Cherry Creek State park and reservoir.[5]
Cafetorium to Parking Lot Stairs. Carl and Ritchy were shown running up these stairs in one portion of the film
Science Room Skylight. This is where Carl broke into the school in the latter part of the film
Cafetorium Doors. These were chained from the outside and this is where Sgt. Doberman views the teens on the other side
Parking Lot. This was the front of New Granada School, which is actually the back of the school where it was filmed.
Library. This is one of the rooms that was destroyed by the teens after they broke into the school when the parents were locked in the Cafetorium
Cafetorium Stage. This is the View Sgt. Doberman had when speaking to the parents before riot.
Party house where Carl and Ritchy went after leaving Rec playground
In a 1978 interview between Eddie Van Halen and journalist Steve Rosen where the Van Halen guitarist discusses the song "Light Up the Sky," he explained, "Warner Bros. is financing some movie, and they wanted us to write the theme song for it and we were thinking of using that song."[8] While not mentioning the movie by name, Van Halen later describes it as "A neat movie - everyone's going to relate to that. It's high school kids up north in New Granada, some new housing development. They destroy everything, they lock it...they had a PTA meeting, because all the parents were getting together to talk about their problems they were having with all the students and kids destroying the town. And then while all the people were in there, they lock them in, they chain the doors with all the cops inside and stuff. They went out and started smashing the cars and blowing everything up - it was insane...It was supposed to be a true story. So I think maybe the title of that kind of sprung from that. Because it was a real trippy movie, and it would be a good title calling it 'Light Up the Sky.' Because the last scene of the movie was heavy, boy - it’s just a big flash of flame type of thing."[8] Ultimately, the band opted not to give the song to the film, because Van Halen says in the same interview, "We went and saw a screening of the flick...and it ain't gonna win no Academy Award or nothing."[8] Instead, the song was included on the album Van Halen II.
Reception and legacy
On review aggregate website Rotten Tomatoes, Over the Edge has an approval rating of 85% based on 13 critics' reviews.[9]
Vincent Canby of The New York Times gave the movie a positive review, stating, "It's to Mr. Kaplan's credit that he makes New Granada look just as boring and alienated to us as it does to the unfortunate children who live there."[10]Roger Ebert said the film's "violent climax is particularly unconvincing," but the movie captures the "feeling of teen-age frustration and paranoia...and the rhythms of teen-age life...how kids talk and feel and yearn, about the maddening sensation of occupying a body with adolescent values but adult emotions."[11] Ebert concluded the film "does an uncanny job of portraying these kids in a recognizable, convincing way."[11] Both Ebert and Gene Siskel were mixed on an episode of the movie review series Sneak Previews.[12] The performances of Dillon, Michael Kramer, and Pamela Ludwig were also praised by critics.[4][13]
Richard Labonté of the Ottawa Citizen wrote, "The strength of Over the Edge, and what set it apart...from most of the gang films of the late '70s, was Kaplan's ability to portray more than merely juvenile violence: his kid actors trash their school with the best of them, but the seething reasons for their behavior is discussed and explored and assessed, rather than merely exploited...capturing with discretion and with discernment the anger of suburban sterility and the dependence on the deadening effect of dope."[14]
The film has since gained cult film status. In late 1981, it was shown at "Film at Joseph Papp's Public Theater" as part of "Word of Mouth", a program devoted to films that had been overlooked because of poor marketing or distribution. This screening led to it being listed on critical top-10 lists, and it was favorably reviewed by Vincent Canby at The New York Times.[10] The film then re-emerged in the 1980s with showings on cable, including HBO and a videocassette release in 1989.[14]
In a 2000 review for The Austin Chronicle, Mike Emery said the film is "a vibrant depiction of confused teen life."[13] The Chicago Reader wrote, "Director Jonathan Kaplan has a fine feel for the crushing blandness of 'planned communities'—the anger that possesses his underage heroes proceeds from a physically oppressive emptiness, represented by rows of hollow town houses and vast, blasted fields. Part wish fulfillment and part social moralizing, the film never resolves its point of view, but a few of the apocalyptic images stay in the mind."[15]
A novelization of the film by Charlie Haas and Tim Hunter was published by Grove Press alongside the film's release. Included in the book are 32 pages of photographs from the shooting of the film. The book is long out of print.[16]
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