The screenplay was by Peter Nelson from the novel Judith Hearne by Northern Irish-Canadian writer Brian Moore. The story presents "a character study film about a woman's rage against the Church for her wasted life".[3] Moore wrote the novel after leaving Ireland, in part because of the religious conflict there, and was living in Canada. The book was published in 1955 and was optioned for the stage and screen almost immediately. John Huston optioned it for a film with Katharine Hepburn. Director Irvin Kershner planned on casting Deborah Kerr. Eventually, Jack Clayton, a Catholic himself, was chosen to direct.
BBC Radio 4 produced a radio drama adaptation directed by Michael Quinn in 1995.
Plot
Judith Hearne is a lonely, middle-aged, Irish spinster from a good family in distressed circumstances who gives piano lessons independently but is losing pupils. After moving into a rooming house in Dublin, she meets and becomes attracted to the landlady’s widowed brother, the charming James Madden, who has returned from the United States. Madden notices her inherited jewellery and believes wrongly that she is reasonably well-off and might invest in his business idea.
Pauline Kael wrote: "Clayton is a felicitous choice to direct a character study film about a woman's rage against the Church for her wasted life. His first feature was Room at the Top with Simone Signoret and he made The Innocents with Deborah Kerr and The Pumpkin Eater with Anne Bancroft – he knows how to show women's temperatures and their mind-body inter-actions. Maggie Smith becomes the essence of spinster – she makes you feel the ghastliness of knowing you're a figure of fun."[3]Janet Maslin, writing in The New York Times, called the film "ponderous" and "literal" and thought the novel far superior to the film's "awkward" screenplay. She praised much of the acting, but thought Bob Hoskins was "paralyzed by the crude Americanism of his character".[4]