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The Moderns

The Moderns
Theatrical release poster by Keith Carradine
Directed byAlan Rudolph
Written byJon Bradshaw
Alan Rudolph
Produced byDavid Blocker
Shep Gordon
Carolyn Pfeiffer
Starring
CinematographyToyomichi Kurita
Music byMark Isham
Charlélie Couture
Production
company
Distributed byAlive Films
Release date
  • April 15, 1988 (1988-04-15)
Running time
126 minutes
CountryUnited States
LanguageEnglish
Budget$3.5 million
Box office$2,011,497

The Moderns is a 1988 film by Alan Rudolph, which takes place in 1926 Paris during the period of the Lost Generation and at the height of modernist literature. The film stars Keith Carradine, Linda Fiorentino, John Lone, and Geneviève Bujold among others.

Plot

Nick Hart (Keith Carradine) is an expatriate American artist living in Paris among some of the noted artists and writers of the time, including Ernest Hemingway (Kevin J. O'Connor), Gertrude Stein (Elsa Raven), and Alice B. Toklas (Ali Giron). Nick is torn between his ex-wife Rachel (Linda Fiorentino) and Nathalie de Ville (Geraldine Chaplin), who hires him to forge her paintings. He must also contend with Rachel's current husband, Bertram Stone (John Lone), who does not know that his wife is still married to another man.

Cast

Production

Meg Tilly was set to play the part of Rachel Stone, but withdrew due to scheduling conflicts. Linda Fiorentino eventually signed on to replace her. Mick Jagger and Sam Shepard were considered to play Bertram Stone, before John Lone was cast. Isabella Rossellini screen-tested for the role of Nathalie de Ville, but lost to Geraldine Chaplin.

The film was originally planned to be shot in 1977, and it was set to be produced by Alive Enterprises, but the film was stuck in development hell, and it was not properly filmed until 1987.[1]

Reception

The film received fairly positive reviews from critics, and it holds an 81% rating on Rotten Tomatoes based on 21 reviews. It was nominated for three Independent Spirit Awards, including Best Supporting Male for John Lone, Best Screenplay, and Best Cinematography.

American film critic, Roger Ebert, in his review stated that The Moderns is:

"sort of a source study for the Paris of Ernest Hemingway in the 1920s; it's a movie about the raw material he shaped into The Sun Also Rises and A Moveable Feast, and it also includes raw material for books by Gertrude Stein, Malcolm Cowley and Clifford Irving."[2]

References

  1. ^ "Alive Rolls Fifth Current Project; Nelson, Col, EHE Tied To Slate". Variety. 1987-05-20. pp. 21, 33.
  2. ^ Roger Ebert's review of The Moderns


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