The album peaked at No. 1 on the Billboard World Albums chart.[4]
Critical reception
The Los Angeles Times wrote that "one of the most impressive performances is on 'Cin quante Six,' a solo instrumental: Toure establishes a cleanly picked folk rhythm, then overlays a flamenco-flavored melody that suggests a meeting of Leo Kottke and the Gipsy Kings."[5]Trouser Press called the album "most notable for the way it challenges the singer to move beyond blues ('Hawa Dolo') and to eschew simple guitar riffing for more intricate single-note lines ('Roucky')."[6]