Throughout her career, she has also written for The Guardian,[6]The Observer, New Society, You Magazine, Spare Rib, City Limits, and London Evening Standard.
Judging panels
In 1989, Hennessy was on the controversial judging panel of the (then) Whitbread Book Award, now known as the Costa Book Awards.[7]
In 1995, she was a member of the AT&T Award for Non-fiction. Panel chair, Alan Clark, reduced the panel to laughter with his declaration that "No one may speak while the chairman is speaking and if you wish to speak, you must raise your hand".[8]
In 1996 Hennessy was one of "five leading women",[9] "at the top of their respective professions"[10] making up the inaugural panel of the (then) Orange, now Baileys Women's Prize for Fiction and commented vigorously on the quality of submissions by British women writers.[11] As an early judge on this award, Hennessy's comments continued to be referenced by Emma Parker in the Contemporary Women Writers journal (2004)[12] and John Ezard in The Independent (2005).[13]
Reviewing the reviewer
In a letter to Private Eye, Stephen Vizinczey credited Hennessy among a number of critics for taking his work seriously,[14] but her reviews have not always made it on to a novel's dust jacket. The New York Times found "mixed messages"[15] in her review of Spook: Science Tackles the Afterlife by Mary Roach, while Hennessy's review of A History of English Food by Clarissa Dickson Wright was cited as a demonstration of anti-intellectualism in the British media.[16]
In The Gutter received a mixed reception. Auberon Waugh called it an "admirable book" with "touches of a genuine philosophical nihilism",[17] while Joe Donnelly wrote, "In the Gutter though far from perfect would be a great addition to any punks' collection, providing you can find a copy?"[18] Lauded for the photographic record of the punk era, the book is now out of print and is in demand on the vintage book market.[19]
^Parker, Emma (2004). "Introduction, The Proper Stuff of Fiction: Defending the Domestic, Reappraising the Parochial". Contemporary British Women Writers. 57: 2.