Abdul Karim, a young prison clerk from a Muslim, Urdu-speaking family in Agra, British India, is instructed to travel to Britain for Queen Victoria's Golden Jubilee in 1887 to present her with a mohur, a gold coin that has been minted as a token of appreciation from British-ruled India.
The Queen, lonely and tired of her fawning courtiers, develops an interest in and then a friendship with Abdul. She spends time with him alone and gives him a bejewelled locket with her photograph. She promotes him to be her Munshi and asks him to teach her Urdu and the Quran. She in fact learns Urdu for 13 years.[4] When Victoria discovers he is married, she has him bring his wife to England. His wife and his mother-in-law both wear black burqas, much to the consternation of the household—and the fascination of Victoria.
As Victoria's interest in India grows, she has the Durbar Room built at her Isle of Wight home of Osborne House for state functions. It is elaborately and intricately decorated, with a carpet from Agra, formal portraits of renowned Indians, a replica of the Peacock Throne and carvings by Bhai Ram Singh.
While Victoria treats Abdul as a son, his preferment is resented by her household and inner circle, including her son, Bertie, and the prime minister, Lord Salisbury. The household plots to undermine their relationship, hoping that Abdul will be sent home. When Victoria embarrasses herself by recounting Abdul's one-sided account of the Indian Rebellion of 1857 to the court, Victoria's faith and trust in him are shaken. She decides he must return to India, but soon changes her mind and asks him to stay.
The prime minister is adamant that the royal household must be rid of Abdul. They research his family background in India and present Victoria with a dossier showing that his family is more ordinary and poor than Abdul claimed. When Victoria insists that her doctor examine Abdul to learn why his wife has not become pregnant, he discovers that Abdul has gonorrhea. He expects the Queen will dismiss Abdul in disgust, but Victoria remains loyal to him and admonishes her courtiers for plotting against him. She announces her intention to give Abdul a knighthood.
Eventually, the household decides that Victoria must break with Abdul. If not, they all will resign and have Victoria declared insane. When Victoria is told, she angrily summons her family and the entire household and demands that anyone who wishes to give up their place should step forward. When no-one does, she says she has decided against making Abdul a knight. She will instead include him in her next honours list as a Commander of the Royal Victorian Order.
When Victoria falls ill, she urges Abdul to return to India while she can still protect him and warns him that the court will turn on him after her death. Abdul insists that he will stay until her death. In 1901, Victoria dies, and Bertie, now king, rejects Abdul, burning all the gifts and papers from the Queen, and sending him and his family back to India. Abdul's wife saves the locket Victoria gave him.
It is revealed that Abdul lived in India until his death eight years later in 1909. The film ends with Abdul kneeling at a large statue of Queen Victoria close to the Taj Mahal, talking to it and kissing its feet in respect.
Costumes from the production were on display at Osborne House from 24 July until 30 September 2017.[11] To capitalize on the renewed interest in Victoria arising from both the film and the concurrent second series of ITV's Victoria television series, the Isle of Wight Tourist Board has created a 'Victoria's Island Trail' encouraging tourists to visit the key locations on the island that have connections to the Queen.[12]
Victoria & Abdul was released for audiences in the United Kingdom on 15 September 2017.
Reception
Critical response
On review aggregator website Rotten Tomatoes, the film has an approval rating of 66% based on 199 reviews, with an average rating of 6.10/10. The site's critical consensus reads, "Victoria & Abdul reunites Dame Judi Dench with the role of Queen Victoria – which is all this period drama needs to overcome its imbalanced narrative."[14] On Metacritic, the film has a weighted average score of 58 out of 100, based on 34 critics, indicating "mixed or average reviews".[15]
In the Women's Voices for Change, Alexandra MacAaron, who rated the movie eight out of ten, wrote that "Judi Dench's Oscar-worthy second turn as Queen Victoria is a poignant portrait of fading power and human connection."[16]Christopher Orr's response from The Atlantic was positive, and he wrote "Victoria & Abdul is worth seeing for Dench's magisterial performance and for Frears's light but sure directorial touch. Just don't mistake it for actual history."[17]
Writing for NPR, Ella Taylor described the film as a "strange hybrid of a movie [which is] also a gentle love story with no possibility of an upbeat ending", though she praised the script as being "bold". In an article for The Independent, Amrou Al-Kadhi criticised the film's depiction of Abdul for its "offensive two-dimensionality".[18][19]
In the Daily Express, critic Andy Lea rated the film two out of five, describing Abdul's character as "disappointingly servile" and criticising the plot as "decent material for a knockabout farce", but praising Dench as "predictably brilliant".[20] In his 4-out-of-4-rated review, Rex Reed in the New York Observer wrote: "Judi Dench gives a touching, majestic performance" and, complimenting the script and direction, he said that "every scene is gorgeous to look at, every shot magnificently detailed and richly framed. And the exemplary performances are as good as it gets in movies today."[21]