An mga ginkomposo ni Wagner, labi na an mga tikang han iya urhe nga panahon, kilalado tungod hin kontrapunto nga textura, hilarom nga khromatismo, mga harmonya ngan pag-orkestrar, ngan makarit nga paggamit hin mga leitmotif: mga tema ha musika nga gin-pahiunong hin mga ispisipiko nga mga tawohan, mga lugar o mga elemento han istorya. Nanguna hi Wagner hin mga pagpadukwag ha yinaknan ha musika sugad hin extremo nga khromatismo ngan madali-hin-pagbalhin nga mga sentro hin tono, nga naka-dara han pagpadukwag han Europeo nga klasikal nga musika.
Gintransformar ni Wagner an paghunanhuna ha musika pinaagi han iya ideya hin Gesamtkunstwerk ("bug-os nga buhat ha arte"), an sintesis han ngatanan nga kanan siday, visual, musika ngan drama, nga ginpanguna han iya upat-nga-opera nga siklo nga Der Ring des Nibelungen (1876). Agod niya maipasundayag ini nga iya mga sinurat ha iya pag-imahinar, gintukod ni Wagner an iya kalugaringon nga balayan hin opera, an Bayreuth Festspielhaus.
Mga reperensya
Pinanbasaran
Mga pagkukuhaan
Mga buhat nga prosa ni Wagner
Wagner, Richard (ed. Dieter Borchmeyer) (1983; in German), Richard Wagner Dichtungen und Schriften, 10 vols. Frankfurt am Main.
Wagner, Richard (ed. and tr. Stewart Spencer and Barry Millington) (1987), Selected Letters of Richard Wagner, London: Dent. ISBN 0-460-04643-8; W. W. Norton and Company. ISBN 978-0-393-02500-2.
Wagner, Richard (tr. Andrew Gray) (1992), My Life, New York: Da Capo Press. ISBN 978-0-306-80481-6. Wagner's partly unreliable autobiography, covering his life to 1864, written between 1865 and 1880 and first published privately in German in a small edition between 1870 and 1880. The first (edited) public edition appeared in 1911. Gray's translation is the most comprehensive available.
Wagner, Richard, Collected Prose Works (tr. W. Ashton Ellis).
Wagner, Richard (1995c), vol. 3 Judaism in Music and Other Essays, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9766-1.
Wagner, Richard (1995a), vol. 4 Art and Politics, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9774-6.
Wagner, Richard (1995b), vol. 5 Actors and Singers, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9773-9.
Wagner, Richard (1994a), vol. 6 Religion and Art, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9764-7.
Wagner, Richard (1994b), vol. 7 Pilgrimage to Beethoven and Other Essays, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9763-0.
Wagner, Richard (1995e), vol. 8 Jesus of Nazareth and Other Writings, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9780-7.
Applegate, Celia; Potter, Pamela (eds.) (2002), Music & German National Identity, Chicago: Chicago University Press. ISBN 978-0-226-02131-7.
Beckett, Lucy (1981), Richard Wagner: Parsifal, Cambridge: Cambridge University Press. ISBN 978-0-521-29662-5.
Borchmeyer, Dieter (2003), Drama and the World of Richard Wagner, Princeton: Princeton University Press. ISBN 978-0-691-11497-2.
Bruen, Hanan (1993), "Wagner in Israel: A conflict among Aesthetic, Historical, Psychological and Social Considerations", Journal of Aesthetic Education, vol. 27, no. 1 (Spring 1993), 99–103.
Burbidge, Peter and Sutton, Richard (eds.) (1979), The Wagner Companion, Cambridge: Cambridge University Press. ISBN 978-0-521-29657-1.
Burk, John N. (1950), Letters of Richard Wagner: The Burrell Collection, New York: The Macmillan Company. ISBN 978-0-8443-0031-3.
Calico, Joy Haslam (2002), Batakan:"'Für eine neue deutsche NationaloperBatakan:'", in Applegate (2002), 190–204.
Carr, Jonathan (2007), The Wagner Clan, London: Faber and Faber. ISBN 978-0-571-20790-9.
Conway, David (2012), Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner, Cambridge: Cambridge University Press. ISBN 978-1-107-01538-8.
Cormack, David (2005), Batakan:"'Wir welken und sterben dahinnen': Carrie Pringle and the Solo Flowermaidens of 1882" in The Musical Times, vol. 146, no. 1890, 16–31.
Dahlhaus, Carl (tr. Mary Whittall) (1979), Richard Wagner's Music Dramas, Cambridge: Cambridge University Press. ISBN 978-0-521-22397-3.
Dahlhaus, Carl (1995), "Wagner: (Wilhelm) Richard Wagner", in The New Grove Dictionary of Music and Musicians, London: Macmillan, vol. 20, 115–36. ISBN 0-333-23111-2.
Daverio, John (2008), "Tristan und Isolde: essence and appearance", in Grey (2008), 115–33.
Deathridge, John (1984), The New Grove Wagner, London: Macmillan. ISBN 0-333-36065-6.
Deathridge, John (1982), "An Introduction to The Flying Dutchman", in John, Nicholas (ed.), English National Opera/The Royal Opera House Opera Guide 12: Der Fliegende Holländer/The Flying Dutchman, London: John Calder. ISBN 0-7145-3920-1, 13–26.
Deathridge, John (2008), Wagner Beyond Good and Evil, Berkeley: University of California Press. ISBN 978-0-520-25453-4.
Donington, Robert (1979), Wagner's Ring and its Symbols, London: Faber Paperbacks. ISBN 0-571-04818-8.
Field, Geoffrey G. (1981), Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain, New York: Columbia University Press. ISBN 978-0-231-04860-6.
François-Sappey, Brigitte (ed.) (1991), Charles Valentin Alkan, Paris: Fayard. ISBN 2-213-02779-X.
de La Grange, Henri-Louis (1973), Mahler: Volume One, London: Victor Gollancz. ISBN 0-575-01672-8.
John, Eckhardt (2004; in French), "La musique dans la système concentrationnaire nazi", in Le troisième Reich et la musique (ed. Pascal Huynh), Paris: Fayard, 219–28. ISBN 2-213-62135-7.
Kaes, Anton (1989). From Hitler to Heimat: The Return of History as Film. Cambridge, Massachusetts: Harvard University Press. ISBN 978-0674324565
Karlsson, Jonas (2012), Batakan:"'In that hour it began'? Hitler, Rienzi, and the Trustworthiness of August Kubizek's The Young Hitler I Knew", The Wagner Journal, vol. 6, no. 2, ISSN 1755-0173, 33–47.
Katz, Jacob (1986), The Darker Side of Genius: Richard Wagner's Anti-Semitism, Hanover and London: Brandeis. ISBN 0-87451-368-5.
Kienzle, Ulrike (2005), "Parsifal and Religion: A Christian Music Drama?", in William Kinderman and Katherine Rae Syer (ed.), A Companion To Wagner's Parsifal, Woodbridge: Boydell & Brewer, 81–132. ISBN 978-1-57113-457-8. Also available on Google Books, accessed 27 January 2013.
Lee, M. Owen (1998), Wagner: The Terrible Man and His Truthful Art, Toronto: University of Toronto Press. ISBN 978-0-8020-4721-2.
Lockspeiser, Edward (1978), Debussy, his Life and Mind: Volume 1, 1862–1902 (2nd edition), Cambridge: Cambridge University Press. ISBN 0-521-22053-X.
Long, Michael (2008), Beautiful monsters: imagining the classic in musical media, Berkeley: University of California Press. ISBN 0-520-25720-0.
Magee, Bryan (1988), Aspects of Wagner, Oxford: Oxford University Press. ISBN 978-0-19-284012-7.
Martin, T. P. (1992), Joyce and Wagner: A Study in Influence, Cambridge: Cambridge University Press. ISBN 978-0-521-39487-1.
McClatchie, Stephen (2008), "Performing Germany in Wagner's Die Meistersinger von Nürnberg", in Grey (2008), 134–50.
Michotte, Edmond (ed. and tr. Herbert Weinstock) (1968), Richard Wagner's Visit to Rossini (Paris 1860): and an Evening at Rossini's in Beau-Sejour (Passy) 1858, Chicago: University of Chicago Press. ISBN 0-226-52442-6.
Millington, Barry (ed.) (2001), The Wagner Compendium: A Guide to Wagner's Life and Music (revised edition), London: Thames and Hudson Ltd. ISBN 0-02-871359-1.
Millington, Barry (2008), "Der Ring des Nibelungen: conception and interpretation", in Grey (2008), 74–84.
Millington, Barry (undated b), "Walküre, Die", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
Millington, Barry (undated c), "Meistersinger von Nürnberg, Die", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
Millington, Barry (undated d), "Parsifal", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
Naumann, Emil (1876; in German), Italienische Tondichter, von Palestrina bis auf die Gegenwart, Berlin: R. Oppenheim. OCLC12378618.
Newman, Ernest (1976), The Life of Richard Wagner, 4 vols. Cambridge: Cambridge University Press. ISBN 978-0-685-14824-2. The classic biography, superseded in places by newer research but still full of many valuable insights.
Nietzsche, Friedrich (tr. Walter Kaufmann) (1967), "The Case of Wagner", in Nietzsche (tr. Kaufmann) The Birth of Tragedy and The Case of Wagner, Random House. ISBN 0-394-70369-3.
Overvold, Liselotte Z. (1976), "Wagner's American Centennial March: Genesis and Reception", Monatshefte (University of Wisconsin), vol. 68, no. 2 (Summer 1976), 179–87. JSTOR30156682.
Painter, George D. (1983), Marcel Proust, Harmondsworth: Penguin. ISBN 0-14-006512-1.
Picard, T. (ed.) (2010; in French), Dictionnaire encyclopédique Wagner, Paris: Actes Sud. ISBN 978-2-7427-7843-0.
Potter, Pamela R. (2008), "Wagner and the Third Reich: myths and realities", in The Cambridge Companion to Wagner (ed. Thomas S. Grey), Cambridge University Press. ISBN 978-0-521-64439-6.
Puffett, Derrick (1984), "Siegfried in the Context of Wagner's Operatic Writing", in John, Nicholas (ed.), Siegfried: Opera Guide 28, London: John Calder (Publishers) Ltd. ISBN 0-7145-4040-4.
Rose, John Luke (1981), "A Landmark in Musical History", in John, Nicholas (ed.), Tristan and Isolde: English National Opera Guide 6, London: John Calder (Publishers) Ltd. ISBN 0-7145-3849-3.
Rose, Paul Lawrence (1996), Wagner: Race and Revolution, London: Faber. ISBN 0-571-17888-X.
Scruton, Roger (2003), Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde", Oxford: Oxford University Press. ISBN 978-0-19-516691-0.
Sietz, Reinhold and Wiegandt, Matthias (undated), "Hiller, Ferdinand", in Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
Skelton, Geoffrey (2002), "Bayreuth", in Grove Music Online, Oxford Music Online. Version of 28 February 2002, accessed 20 December 2009.
Warshaw, Hilary (2012), "No Sound of Music", The Wagner Journal, vol. 6, no. 2, ISSN 1755-0173, 77–9.
Weiner, Marc A. (1997), Richard Wagner and the Anti-Semitic Imagination, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9792-0.
Richard Wagner MuseumGinhipos 2007-09-27 han Wayback Machine in the country manor Triebschen beside Lucerne, Switzerland where he and Cosima lived and worked from 1866 to 1872.