Harry had agreed on one condition: that [Gaines] take [Detective Comics partner] Jack Liebowitz on as his partner. ... Jack would be tempted to leave and form a competing company if there was nothing to hold him. And it may well have been a way for Harry to keep Gaines under control; since Jack was still drawing a salary and significant bonuses from Detective Comics and [self-distributorship] Independent News, he wouldn't let Gaines take off on his own or act against the interests of the other companies. ... Gaines became the principal and Jack Liebowitz the minority owner of All-American [Publications].[1]: 164
While All-American, at 225 Lafayette Street in Manhattan, was physically separated from DC's office space uptown at 480 Lexington Avenue, it used the informal "DC" logo on most of its covers for distribution and marketing reasons. In 1944,[1]: 223 [2] Gaines sold his share of the company to Liebowitz by June 1945,[3] keeping only Picture Stories from the Bible as the foundation of his own new company, EC. As Jones describes,
Gaines saw the end of the superhero fad coming and wanted to get into something more durable, like children's books and magazines. ... In 1944, he decided he'd had enough. He let Jack Liebowitz buy him out with a loan from Harry.... Liebowitz promptly orchestra the merger of All American Comics and Detective Comics into National Comics, of which he was the junior partner, vice president, and publisher. Next he took charge of organizing National Comics, Independent News, and their affiliated firms into a single corporate entity, National Periodical Publications".[1]: 223
At the end of 1944, but shortly before the merger, Gaines first rebranded All-American with its own logo, beginning with books cover-dated February 1945: All-Flash #17, Sensation Comics #38, Flash Comics #62, Green Lantern #14, Funny Stuff #3, and Mutt & Jeff[note 2] #16, and the following month's All-American Comics #64 and the hyphenless All Star Comics #24.[4][5] Liebowitz later merged his and Donenfeld's companies into National Comics Publications by September 30, 1946.[1]: 223
Creative legacy
During All-American's existence, much cross-promotion took place between the two editorially independent companies, so much so that the first appearance of the Justice Society of America, in All Star Comics #3 (Winter 1940/41), included in its roster All-American characters the Atom, the Flash, Green Lantern and Hawkman, and the National characters Doctor Fate, Hour-Man (as it was then spelled), the Spectre, and the Sandman — creating comics' first intercompany crossover,[6][note 3] with characters from different companies interacting — although National's Sandman, Spectre and Hour-Man had previously appeared in solo adventures in All Star Comics #1 (Summer 1940).
With Gaines as editor, assisted by Sheldon Mayer, All-American Publications launched its flagship series All-American Comics with an April 1939 premiere. Like many comics of the time, All-American debuted with a mix of newspapercomic strips, reprinted in color, and a smattering of original, comic-strip-like features. Among the strips were three hits of the era: Mutt and Jeff,[note 2] by Al Smith ghosting for strip creator Bud Fisher; Skippy, by Percy Crosby; and Toonerville Folks by Fontaine Fox. New content included Scribbly, a semiautobiographical Mayer feature about a boy cartoonist. All-American Comics lasted 102 issues through October 1948.
The next two comics were Mutt & Jeff,[note 2] which ran 103 issues from Summer 1939 - June 1958; and the company's superhero debut, Flash Comics #1 (Jan. 1940), which introduced the super-speedster title character, created by writer Gardner Fox and artist Harry Lampert, as well as the Golden Age Hawkman and future Hawkgirl, by Fox and artist Dennis Neville, and Johnny Thunder, by scripter John Wentworth and artist Stan Aschmeier, among other features.
The Golden Age Green Lantern, from Batman writer Bill Finger and artist Martin Nodell, debuted in All-American Comics #16 (July 1940), followed by the original Atom, created by Bill O'Connor and penciler Ben Flinton, in All-American #19 (Nov. 1940). Wonder Woman was introduced in a nine-page story in All Star Comics #8 (Dec./Jan. 1941/1942), the product of psychologist William Moulton Marston (under the pseudonymCharles Moulton) and Max Charles Gaines, and drawn by artist Harry G. Peter.
^National's top stars, Batman and Superman, had first crossed over as "honorary" Justice Society members in All Star Comics #7 (Dec. 1941), making cameo appearances in the three-page introduction and four-page conclusion of the story "$1,000,000 for War Orphans". See: All-Star Comics #7 at the Grand Comics Database.
^Daniels, Les (1995). DC Comics: Sixty Years of the World's Favorite Comic Book Heroes (1st ed.). Boston: Bulfinch Press. p. 48. ISBN0821220764. It was perhaps inevitable that the two firms would merge, and it happened in 1944 when Liebowitz bought out Gaines' share.